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Esta sección no se encuentra completamente traducida al español.

 Ralph Arlyck
1991 Fellow–NY
Poughkeepsie, NY
Sean Now and Then (2004)
Format: 16 mm
Length: 90 min.
A documentary that updates the life of a 4-year-old “flower child” first filmed by the director in 1969 discoursing on such Sixties topics as marijuana and being busted by cops. The filmmaker revisits the adult Sean to see how being raised by hippies (and Communists) has affected him.
Web Sites:
Selected Works
Cine
Sean Now and Then (1999)
Current Events (1991)
Godzilla Meets Mona Lisa (1984)
An Acquired Taste (1981)
Accomplishments
INPUT (International Public Television Screening Conference); Board Member, 1998-2001; Shopsteward, 1996-1998
Member of the delegation of American independent producers screening and touring in six cities in the Soviet Union, 1990
John Simon Guggenheim Memorial Foundation Fellowship, 1979
Education
1968-1969 San Francisco State University, San Francisco, CA
1966 M.S. Columbia School of Journalism, New York, NY
1962 B.A. Colgate University
Web Site
News
October, November, December 2007
Ralph Arlyck’s An Acquired Taste and Current Events were shown together at the Viennale Film Festival, in October.  The first of these short documentaries reflects the United States’ focus on success, while the other explores the quagmire of liberal inaction.
April, May, June 2007
Ralph Arlyck’s Following Sean screened at the “Reeltime Independent Film and Video Forum” at the Mary and Leigh Block Museum of Art in Evanston, Illinois in April. Arlyck's documentary updates the life of a 4-year-old “flower child,” first filmed by the director in 1969, revealing how the subject, now an adult, perceives his unconventional upbringing.
January, February, March 2007
Ralph Arlyck’s feature Following Sean was shown at the International Documentary Film Festival of Navarra, in Spain in February. His documentary revisits a “flower child” that he first filmed in 1969, to see how his unconventional upbringing has affected him.
Interview

What was the most discouraging feedback you ever got?

I don't mind critical responses to the work - especially when it's still in process. When they're negative they're either silly, axe-grinding or perceptive and therefore useful. An English professor in college once said to me, "Basically Arlyck, I think you're an unruly person." There's no response to such a judgment.

Read full interview